Why Every Director Should Hire The Rock, According To Rampages Brad Peyton

Why Every Director Should Hire The Rock, According To Rampages Brad Peyton

He has been dubbed "Franchise Viagra" for his ability to boost (and in some cases, flat out rescue) film franchises from Fast & Furious to G.I. Joe. So why doesn't every director move Heaven and Earth to work with Dwayne "The Rock" Johnson. Well, many do. But the busiest man in Hollywood only has so many hours in the day. His most recent movie, Rampage, recently topped the global box office charts, and to celebrate the victory, Rampage director Brad Peyton joined CinemaBlend's ReelBlend podcast. We got to talking about Rocky, and the attributes he brings to a production, so Peyton -- who has directed The Rock three times now -- broke down exactly why every filmmaker needs this guy on their team. Peyton said:

For me, he's amazing because he is coachable. The closest analogy I can give is having a superstar player on a team. As the director, it's really like I'm the coach. ... What Dwayne is is he's like the star athlete. He's the guy who the whole team is going to follow because he has these intangibles. One of his biggest intangibles is that he's fearless. He's willing to try anything. He's really willing to put himself out there. One of his other intangibles is that he just knows his audience really well. He knows what people want to see out of him. Even when you are directing him, he has these things in his mind of, 'I should do it this way because it's the way I would do it, it's the flavor I would bring to it.'

This likely comes from Dwayne Johnson's own history with professional sports, having played football in college and -- of course -- dominating the WWF and WWE before breaking into films. Rock knows how a team should operate, and he seems to have brought that ensemble-based mindset to his film sets. Also, the man loves a challenge. And he'll never back down from a challenge. Brad Peyton has a very funny way of describing it, telling ReelBlend:

Dwayne's one of those guys where you present the challenge, and he is going to succeed come hell or high water. I love this about him because it's really easy to... I'm an excitable director. I get enthusiastic about my job. And so when I need Dwayne to do something that's difficult, it's the equivalent of being able to be, 'You see that wall? I need you to run through that wall.' [laughs] And he's like, 'That wall?' And I'm like, 'Yeah, that wall.' And he's like, 'Fuck that wall!' And I'm like, 'Alright, roll camera. Here we go!' [Laughs] And then, you know, he does it! And I go, 'That was awesome! Do you think we could smash that other wall there? But do you think this time we could say the line here instead of there? And then say, I don't know, smash the wolf?' And he's like, 'Yeah, let's do that!' And it's cool because in some ways, you found someone where you are able to get excited, and you are able to get enthusiastic with, and you can present these challenges to.

The Rock is on a roll. And a good deal of his success can be contributed to the fact that he does have complete awareness of what his audience wants from him. But it did take years for him to figure it out, and that growing process led to movies like Scorpion King, The Game Plan and Doom. His collaborations with Brad Peyton have been hits, so it was great to hear from Peyton himself how they operate as a team.

To listen to the complete conversation with Brad Peyton, give this week's ReelBlend a spin down below:

Rampage is in theaters as we speak. ReelBlend is a weekly podcast hosted by Sean O'Connell, Kevin McCarthy and Jake Hamilton. Follow the show on Twitter, and subscribe to the show on iTunes if you like what you hear!







The musical biopic celebrating Elton John's rise to stardom and personal struggles has finally arrived to cinemas. However, at a screening of Rocketman in Moscow on Thursday, audiences missed out on the intended experience of the film, which was meant to shown an uninhibited and flashy approach to the musician's early life.
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The new Grinch movie hits theaters on November 9 and, if it's half as good as the billboards spotted around Los Angeles for it, it's going to be great.. Promotional billboards have been popping up over Los Angeles to promote the Benedict Cumberbatch animated flick, with one showing the Grinch stealing his own billboard:
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Dark Phoenix would give her character a proper conclusion, so if it meant putting on the blue makeup again, so be it. Let me be clear, I don't know with 100% certainty that Mystique will die in Dark Phoenix, and even if she
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reader "A Star Is Born" Has Solved Lady Gaga's Musical Identity Crisis. Lady Gaga is the kind of multifaceted pop star A Star Is Born doesn't quite know how to portray, but her talent both brings Ally to life and proves that Gaga's star is still rising.



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Why Steven Spielberg Hated Working On Jurassic Park and Schindler's List At The Same Time

Why Steven Spielberg Hated Working On Jurassic Park and Schindler's List At The Same Time

1993 was a big year for Steven Spielberg as he created one of cinema's biggest blockbusters and most recognized masterpieces in the same year. Both Jurassic Park and Schindler's List were released that year. In order to get both movies out, Spielberg had to essentially work on both movies simultaneously, shooting Schindler's List in Poland while also approving post-production shots of Jurassic Park at the same time. Spielberg now says that having to deal with CGI dinosaurs in the evening after filming such an emotionally powerfully powerful film during the date ended up creating a great deal of resentment inside him. According to the director...

When I finally started shooting...in Poland, I had to go home about two or three times a week and get on a very crude satellite feed to Northern California...to be able to approve T-Rex shots," he remembered. "And it built a tremendous amount of resentment and anger that I had to do this, that I had to actually go from [the emotional weight of Schindler's List] to dinosaurs chasing jeeps, and all I could express was how angry that made me at the time. I was grateful later in June, though, but until then it was a burden.

It certainly had to be a sort of emotional whiplash on a daily basis as he went from the heavy and emotional story of the World War II Holocaust to a fantastical story of dinosaurs coming back to life. Steven Spielberg told an audience at the Tribeca Film Festival (via Entertainment Weekly) that when the script for Schindler's List finally came through after multiple rewrites, he knew he had to make the movie as soon as possible, it was clearly an important movie for him. So much so that it made his other big movie feel a lot less important.

Steven Spielberg does say that when Jurassic Park was released in June, it was easier to deal with. The massive box office that made the movie one of the biggest of all-time is likely to have that sort of an effect on a director. Following that, Schindler's List would win every award under the sun, including Best Picture at the Academy Awards and a Best Director award for Spielberg himself. While the Jurassic Park box office was probably well celebrated, the director admits there was little "celebrating" the Oscars for Schindler's List as the movie's weight was such that celebrating didn't feel like an option.

While making these two movies at the same time clearly took a toll on Steven Spielberg, making them both at the same time made it clear that he was one of the greatest directors who has ever lived.





While Spielberg worked on Schindler's List in early 1993 in Europe, he found time to edit Jurassic Park during the night. Yes, Spielberg almost had a nervous breakdown, but he got both projects
How could Steven Spielberg release both Schindlers List and



Steven Spielberg ended up resenting Jurassic Park and it was the T-Rex that really made him 'furious' JJ Nattrass Thursday 22 Feb 2018 2:46 pm Share this article via facebook Share this
Steven Spielberg's year of living dangerously: How he



Subscribe To Why Steven Spielberg Hated Working On Jurassic Park and Schindler's List At The Same Time Updates close Subscribe To Why Steven Spielberg Hated Working On Jurassic Park and Schindler
'Schindler's List': Robin Williams Called Steven Spielberg



Culture > Film > News Steven Spielberg's year of living dangerously: How he reinvented cinema with Jurassic Park and Schindler's List. As 'Schindler's List' turns 25, Ed Power looks at
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Why Steven Spielberg Hated Working On Jurassic Park and



Spielberg originally wanted to film Schindler's List first, but the president of Universal Pictures' at the time, Sid Sheinberg, insisted (and wrote in to his contract) that Spielberg work on Jurassic Park first, as he knew how draining Schindlers
Why Steven Spielberg resented 'Jurassic Park' before its



Dec 06, 2018 · Absent any new wide releases in the pre-Christmas rush, the closest thing to a new movie (outside of platform debuts) is a reissue of Steven Spielberg's Schindler's List. Universal/Comcast is



The "Lincoln" director had to keep flying from the set of Schindler's List in Poland to California to make the final approvals to the blockbuster dinosaur movie - and he hated all the traveling.
Steven Spielberg felt "resentment and anger" shooting



I remember reading a long time ago that George Lucas was overseeing most of the editing (uncredited) on Jurassic Park while Steven was filming Schindler's List, but I haven't been able to find more recent information on that rumor.
Steven Spielberg resented Jurassic Park because of Schindler



Steven Spielberg revealed at the Tribeca Film Festival that he started to resent working on "Jurassic Park" because he was filming it at the same time as Holocaust drama "Schindler's List," and
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Everything Wrong With Bird Box Video Takes Aim At Its Inconsistencies

Everything Wrong With Bird Box Video Takes Aim At Its Inconsistencies

Bird Box was one of those movies that energized social media, so you can be sure CinemaSins was going to have some fun with it. The new video takes a long look at the film and, of course, can't help but point out everything it sees as not making sense within the supernatural thriller. Check it out.

Bird Box follows Sandra Bullock as she attempts to survive a world that has been overrun by invisible creatures that force those that see them to kill themselves. While that premise alone is certainly more than a little crazy, and exactly the sort of thing that CinemaSins loves to tear into, Bird Box has been an incredibly popular movie, spawning social media trends and endless memes.

Beyond a doubt, the biggest issue that CinemaSins has with Bird Box surrounds the rules regarding how the movie's monsters work. One character sees one while driving but the woman sitting next to her does not. Most everybody who does see one then begins to take steps to kill themselves, but one character does not. The rules, such as they are, seem to be pretty flexible to meet whatever the film requires of them, changing as necessary.

Though, the point about the difficulty in rowing a boat or driving a car while blindfolded, and the fact that you'll naturally veer off course, is a valid point as well.

From there, it's the pretty standard litany of complaints as to why certain characters behave in certain ways. More often than not, the answer is "because if they didn't the movie would be over." It's not always the best explanation, but this is fiction after all.

Generally speaking the reviews of Bird Box have been positive, so most critics didn't have all these issues with the film. Having said that, some did call out the movies for overly contrived and forced elements.

While the response to Bird Box may be mixed, one thing is for sure, a lot of people have opinions because a lot of people saw the movie. The film set Netflix records for viewership that have been confirmed by Nielsen. One upside to the fact that Netflix is fairly cheap and easy to obtain is that a lot of people have it and use so when something new comes along, it ends up getting watched by audiences on par with big screen hits.

Of course, for Netflix that level of success translated to endless memes and people taking part in what became known as the Bird Box challenge, which saw people attempt to accomplish simple tasks while blindfolded. It went about as well as you might expect. Especially the people who tried to drive cars. That went exactly how you'd expect.






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Bird Box was one of those movies that energized social media, so you can be sure CinemaSins was going to have some fun with it. The new video takes a long look at the film and, of course, can't help but point out everything it sees as not making sense within the supernatural thriller.
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Bird Box was one of those movies that energized social media, so you can be sure CinemaSins was going to have some fun with it. Subscribe To Everything Wrong With Bird Box Video Takes Aim At Its
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Everything Wrong With Bird Box Video Takes Aim At Its Inconsistencies [ad_1] Bird Box was one of those movies that energized social media, so you can be sure CinemaSins was going to have some fun with it.


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Did you see it/them? I hope not, because you are dead. What? I know, right? This movie is BONKERS. Thursday: RomCom sins that angered us. Remember, no movie is without sin! Which movie's sins
Netflix Reports Bird Box Just Hit A Streaming Milestone

John Carpenter And Jason Blum Dont Think The Current Horror Boom Is Going To Last Long

John Carpenter And Jason Blum Dont Think The Current Horror Boom Is Going To Last Long

In case you haven't heard, we are in the midst of a horror boom. We've not only seen a surprising number of legitimately great scary movies in the last year, but audiences are also eating them up and generating shocking box office numbers. It's a very exciting time to be a fan of the genre -- but according to Blumhouse founder Jason Blum and the legendary John Carpenter, folks should really enjoy it while it lasts. Says Blum,

My feeling about horror being a big deal right now is that it's very cyclical. It's a big deal, so now everyone's going to make horror movies. There are going to be a lot of crap ones, and then everyone's going to say, 'Horror's not working anymore!' And then there's going to be much, much less horror. Then there's going to be a great one because there haven't been that many, and they're not going to get made unless they're really good, and then there's the boom.

Jason Blum has spent the last decade becoming one of the biggest names in horror, and he's seen the genre go through some massive changes in that time. As such, when he looks at the current "renaissance" -- which he very much helped kick-start by backing Jordan Peele's Get Out -- he doesn't really see a lasting trend, but instead a series of ebbs and flows.

The producer spoke about the current state of horror last month during the Los Angeles press day for David Gordon Green's Halloween, where he was paired with John Carpenter for roundtable interviews. Preceding his statement, he noted his curiosity about Carpenter's thoughts on the matter as well, and the genius director bluntly agreed:

You've got the secret. You haven't forgotten about Japanese horror, have you? Way back then - you haven't forgotten. That was a big deal! It went away. And [Jason Blum is] partially responsible for bringing in the new horror stuff.

Of course, John Carpenter is referring to the period in the early 2000s when Hollywood fell in love with creating English-language remakes of Japanese titles like Ringu (The Ring) and Ju-On (The Grudge). Fitting in with the conversation, that fad eventually died thanks to oversaturation, and then a few years later the exact same thing happened with the found-footage craze -- which was initially jump-started by the Jason Blum-produced Paranormal Activity.

During the interview, Jason Blum noted that specific experience, and even went as far as to map out a rough timeline of how the whole system operates:

Since I started it's dipped and come down. Paranormal Activity took off, and then it dipped around about five or you know, whatever, I don't know, four or five. It dipped, and then now it's ramping back up again. And I guarantee you in 12 months there'll be so many bad horror movies people will be like, 'I'm never going to see another horror movie again.' Because now it's like, 'Oh, we can make money if we make a horror movie!' And then they're bad... That's the market. That's how Hollywood works.

Jason Blum and John Carpenter's comments aside, it is worth noting that there is something somewhat special about the current horror boom in that it can't be readily defined. In the past couple years we've seen titles like the aforementioned Get Out, Andres Muschietti's IT, and John Krasinski's A Quiet Place become phenomenal successes, but there really isn't anything that ties the titles together beyond genre categorization. One has to wonder if there's a possibility that the variety involved might sustain things for a little longer -- but we'll just have to wait and see.

For now, the current horror boom is operating at full strength, and should provide a perfect cinematic atmosphere for the arrival of David Gordon Green's Halloween, which is in theaters this Friday.





John Carpenter And Jason Blum Don't Think The Current Horror Boom Is Going To Last Long Movies October 17, 2018 No Comments In case you haven't heard, we are in the midst of a horror boom.
John Carpenter And Jason Blum Don't Think The Current Horror
celebvida.com/john-carpenter-and-jason-blum-dont-think-the-current-horror-boom-is-going-to-last-long/
It's a very exciting time to be a fan of the genre — but according to Blumhouse founder Jason Blum and the legendary John Carpenter, folks should really enjoy it while it lasts. Says Blum, Jason Blum has spent the last decade becoming one of the biggest names in horror, and he's seen the genre go through some massive changes in that time.
John Carpenter And Jason Blum Don't Think The Current Horror



Oct 10, 2017 · The horror mogul Jason Blum recently gave us his rules for the genre, which were essentially a John Carpenter template. Why do you think your approach is still the go-to for new horror directors
Halloween (2018 film) - Wikipedia



John Carpenter And Jason Blum Don't Think The Current Horror Boom Is Going To Last Long. Associated Press AP October 16, 2018 9:37 pm October 16, 2018 Off 90.
Jason Blum And John Carpenter Don't Think The Horror Boom



Halloween producer Jason Blum and composer John Carpenter have argued that the current boom for horror cinema will eventually die down. From A Quiet Place to Get Out, we're currently in a pretty
How Long Was Jesus A Carpenter - imagenews.org


John Carpenter And Jason Blum Don't Think The Current Horror



John carpenter and jason blum don t think the cur horror boom is going to last long cinemablend john carpenter s score includes the distorted sound of rubbing his
John Carpenter and Jason Blum on Halloween and Big Trouble in
collider.com/halloween-interview-jason-blum-john-carpenter/
Jason Blum and John Carpenter discuss the 'Halloween' sequel, Jamie Lee Curtis reprising the role of Laurie Strode, and Dwayne Johnson's 'Big Trouble in Little China'.
New & Upcoming John carpenter Movie News - CINEMABLEND


carpenter/
John Carpenter And Jason Blum Don't Think The Current Horror Boom Is Going To Last Long and the director recently opened up to CinemaBlend and explained how he paid homage to the horror master.
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Halloween is a 2018 American slasher film directed by David Gordon Green, written by Green, Jeff Fradley, and Danny McBride, and starring Jamie Lee Curtis and Nick Castle who reprise their respective roles as Laurie Strode and Michael Myers, with stuntman James Jude Courtney also portraying Myers.



Jason Blum and John Carpenter's comments aside, it is worth noting that there is something somewhat special about the current horror boom in that it can't be readily defined.
John Carpenter And Jason Blum Don't Think The Current Horror

Why You Should Take Your Teenagers To See Eighth Grade

Why You Should Take Your Teenagers To See Eighth Grade

Much as Kayla's father in the film Eighth Grade has his daughter's best interests in mind when he supervises portions of her life, parents taking their kids to the movies have similar responsibilities. The ratings system can only do so much to prepare someone who's either going to bring their kids to the movies, or drop them off to go see something with their friends, and even then, the ratings issued by the MPAA aren't guaranteed to be valid. Case in point is Bo Burnham's feature writing/directing debut Eighth Grade, which is currently expanding in theaters nationwide, and has been saddled with the ever-restrictive R-rating. Which means that if your kids want to see Eighth Grade, chances are you're going to have to take them and their friends -- and by all means, you totally should.

As far as the quality of the film is concerned, you should take your teenagers to see this movie because an outing to see Eighth Grade is a night out at one of the best movies on the current market. Rarely are personal dramas so good that both parent and child can enjoy them through separate lenses, and the story of a young woman's graduation into a new chapter in her life is something that pretty much anyone can relate to. It's a story told with enough honesty that you can approach it from any point in life and understand what it's trying to say. The common language that the film seems to engage its story with also helps in another respect, because if you take your teen to see Eighth Grade, it could lead to a really good bonding experience.

The film's events also lend themselves to insightful discussion after the film's ended. While your childhood may not have been anything like the one that Bo Burnham and his cast show on screen, the benchmarks and general template is still the same. The only thing that's really changed is the technology at hand, and maybe the pace that kids today move at. The rest is absolutely real, scars and all, so the car ride home or post-movie meal at a local restaurant can be filled with memories from the childhood of the parent's side of things, as well as with the current issues your middle- or high-schooler is facing.

But perhaps the most important reason to take your kids to see Eighth Grade in the theater is the fact that, once again, the film is stuck with an R-rating. This is mainly for the language in the film, as two usages of the world "fuck" do occur, and the standard usually allows only one to slip through in anything hoping for a PG-13. A very similar situation occurred with Best Picture winner The King's Speech, as that film had a tirade of obscenity that, while fitting the story's context, was still tsk-tsk'd by the MPAA. Though the full descriptor indicates that the film is rated as it is for, "language and some sexual material," the "sexual material" is limited to broad discussion of a sex act, as well as a scene where Kayla is being propositioned by a high school boy. The furthest that last bit goes is he gets into the back seat of a car with Kayla, engages in tense, awkward flirting, and takes his shirt off before putting it back on in a huff when the flirting goes nowhere.

Still, material such as this is important for kids of a certain age to watch, in particular with their parents, as Eighth Grade's realistic events allow parents and their young charges to discuss some of the stuff they've either already handled, or are about to handle, throughout their lives. It's as painful to watch Kayla (Elsie Fisher) move through social anxiety and peer pressure on the big screen, so taking your kids to see this film might help them discuss these potential / past happenings more openly with you, their parents. It's an icebreaker that's only a little over an hour and a half long, and it's well worth your time. Also, seeing Eighth Grade also rewards Bo Burnham's refusal to sugar-coat the film with a PG-13 edit, as he recently explained to Salon:

They'd rate kids' lives NC-17 if they could. The truth is, Eighth Grade is R-rated because eighth grade is R-rated. I can promise to parents that this movie is not exposing anything to kids that kids aren't very, very aware of.

If you were to package everything above into one simple argument as to why you should take your teenagers to see Eighth Grade, it's the fact that this film tackles familiar subject matter with a maturity and verisimilitude that the teen movie genre rarely shows to its audience. It's not a horny sex comedy about losing ones' virginity, nor is it a maudlin romantic tale full of misunderstandings about how relationships work. Eighth Grade is about the pressures of young life, the horror of growing up, and the comfort in family. You'll cry, but it's not out of emotional manipulation. You'll laugh, but it's sympathetic to the plight of its protagonist and her father. Most importantly, you'll remember what it felt like to push through that phase yourself, and be ready to help your own young adults better handle the craziness of their adolescence. Sometimes, kids feel like they're not being listened to, and in that frame of mind, they'll look for any voice they can claim speaks for their own. Bo Burnham's words and direction, matched with Elsie Fisher's tremendous performance, are exactly the sort of voice we all need to speak for kids in our modern times.

Eighth Grade is currently in limited release, with a full nationwide roll-out being planned for this Friday. Get tickets now.





Eighth Grade is (thankfully) not as explicit as Thirteen, but it's nearly as heartbreaking for different reasons -- at least for parents of teens. Luckily the movie has a somewhat hopeful message, as Kayla recognizes that making a connection with her father and finding friendship are both possible, if not with the so-called popular kids she
Should your teen take the PSAT — and if so, when?



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Eighth Grade's R rating deters actual 8th-graders from seeing it. What a shame. The MPAA ratings system and its very specific hang-ups are keeping teens away from the movies they need most.
8th Grade Social Changes: What To Expect - SchoolFamily



Make sure she knows that the stakes will be higher in high school, with all class grades showing up on the transcript colleges will see. Watching your 8th grader settle into his teenage self can be exhilarating and unsettling. You can still see glimmers of your child, and you can glimpse the adult he is on his way to becoming.
Parent reviews for Eighth Grade | Common Sense Media



If you were to package everything above into one simple argument as to why you should take your teenagers to see Eighth Grade, it's the fact that this film tackles familiar subject matter with a maturity and verisimilitude that the teen movie genre rarely shows to its audience. It's not a horny sex comedy about losing ones' virginity, nor
7 Reasons why you Should take your Teen to see Eighth Grade



Eighth Grade is a painfully realistic movie about, you guessed it, eighth grade. I have to say, it is pretty realistic for today's generation, which is not always a good thing. Sex, swearing, and peer pressure is a common topic in this movie. While this is realistic in eighth grade, it's still focused very heavily, hence the R rating.
Eighth Grade Movie Review - commonsensemedia.org


Why You Should Take Your Teenagers To See Eighth Grade



'Eighth Grade': Why 13-Year-Olds Aren't Allowed to See a Movie About Themselves The MPAA giving Bo Burnham's new film an "R" was never in doubt, which is part of the problem. Chris O'Falt
Eighth Grade is rated R. That's a problem for the teens who



Should your teen take the PSAT — and if so, when? Taking the PSAT can help your teen start mapping their path to college and even lead to scholarships. But should your 8th, 9th, 10th, or 11th grader take this "extra" test?
8th Grade Math Practice | Addition, Patterns, & More
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This past week, both of my sons had plans with their friends. I took this beautiful opportunity to take my 13-year-old daughter to see the movie Eighth Grade.This is a film all about the awkwardness of middle school and the common challenges that kids in middle school face.
Ep 97 - 7 Reasons why you Should take your Teen to see Eighth



If you were to package everything above into one simple argument as to why you should take your teenagers to see Eighth Grade, it's the fact that this film tackles familiar subject matter with a
Why You Should Take Your Teenagers To See Eighth Grade



Ep 97 - 7 Reasons why you Should take your Teen to see Eighth Grade By Erin Taylor. In this episode, I read my blog from last week. I was inspired to write this after I took my 13-year-old daughter to see it last week.
'Eighth Grade' Rated R: Why MPAA's Ban On Teenagers Is a